DANI PEARCE
Dani Pearce is a Writer, Director and Video Artist based in Sydney.
Dani’s work holds a primary focus on experimental narrative; subverting and reimagining cinematic form and image. Her work spans narrative film, video art work and photography. Her work is ambitious and inventive; ideologically ruminating most distinctly on womanhood, body politics, systems of power and invisible disability.
Dani’s work has been described by IndieWire as being defined by “her stunning, signature style.”
Dani’s filmography includes NURSED BACK, BACKPEDAL and PLACES I GO. Further work includes photographic installation STRAINS.
This work has been recognised by Sundance Film Festival, Museum of Contemporary Art Australia, Cannes Lions, Cannes Young Director’s Awards, the Saatchi&Saatchi New Director’s Showcase, the London 1.4 ‘On the Cusp of Greatness’ List for 2018, 2019, 2020 & 2021, AVIFF Cannes Film Festival, the IMDb Independent Short Awards, Raindance Film Festival, BAFTA Aesthetica, Tribeca Video Art & Experimental Film Festival, Brisbane International Film Festival, Montreal Festival du Nouveau Cinema, Manchester Film Festival, Vimeo Staff Picks and many more. Too, Dani is the recipient of Shots New Director of the Year 2021, LIA Best New Director 2019 and winner of Gold at Ciclope 2019 for New Talent in Direction. Further, in 2020 Dani was the only Australian director invited to the Sundance Film Festival Short Film Competition.
Dani’s debut feature is currently in development with GoodThing Productions. Dani’s sophomore screenplay is also completed.
Further to this, she is writing a collection of essays titled of BODY OF WORK - set to be complete in December 2024.
Dani lives and works with invisible disability and is passionate about intersectional representation and equity in the film industry. In 2022 & 2023 Dani mentored the Museum of Contemporary Art x Accessible Art's premier Video Art Grant; Art Screen. Dani advocates strongly for intersectional inclusion in front of and behind the camera.
Too, Dani directs commercials and is represented by Revolver in Australia and Henry in Paris respectively. Clients have included NRMA, Allianz,, Paralympics, the Australian Government, Toyota, Nissan and many more.
WORK
PLACES I GO
2022 / Video Art
BABY
2023 / Feature Film
In Development
Producers: GoodThing
DESIRE PATH
2023 / Feature Film
Script Completed
CONTEST
2023 / Limited Series
In Development
BACKPEDAL
2020 / Short Film
STRAINS
2019 / Photo Series
NURSED BACK
2018 / Video Art
SELECT AWARDS & GRANTS
BUNDADON TRUST
2023 / Writer's Residency
ARTSCEEN
Accessible Arts & MCA
2023 / AUS
Programme Mentor
ARTSCEEN
Accessible Arts & MCA
2022 / AUS
Grant Recipient
SUNDANCE FILM FESTIVAL
2020 / US
Official Competition
CANNES YOUNG DIRECTORS AWARD
2020 / FR
CANNES NEW CREATORS SHOWCASE
2019 / FR
THE POOL GRANT
FLICKERFEST
2020 / AU
Winner of Best Screen Editing
IMDb INDIE FILM AWARDS
2019 / US
Winner of Best Director
Winner of Best Editing
Winner of Best Sound Design
Winner of Best Women's Short
MILL VALLEY FILM FESTIVAL
2019 / US
Official Competition
BAFTA AESTHETICA
2019 / UK
Official Competition
RAINDANCE FILM FESTIVAL
2020 / UK
Official Competition
BRISBANE INTERNATIONAL FILM FESTIVAL
2019 / AU
Official Competition
MONTREAL FESTIVAL DE NUOVO CINEMA
2019 / CN
Official Competition
TRIBECA VIDEO ART & EXPERIMENTAL FILM FESTIVAL
2019 / US
Official Competition
VIMEO STAFF PICKS
2020 & 2018
ONE POINT FOUR
'Cusp of Greatness'
2018, 2020 & 2022
Official Selection
CANNES AVIFF FILM FESTIVAL
2018 / FR
Official Selection
SELECT PRESS
ACCESSIBLE ARTS
May 2022
MONSTER CHILDREN
July 2020
INDIEWIRE
January 2020
2020 Sundance Preview: 10 Must-See Short Films in Park City
SUNDANCE INSTITUE
January 2020
FBI RADIO
January 2020
Little Women, Big Voices - Dani Pearce & Brenna Harding talk Backpedal, Sundance and Jacuzzis
SYDNEY MORNING HERALD
January 2020
From YouTube click-hole to Flickerfest and Sundance: A filmmaker's wild ride
FILMINK
January 2020
Backpedal: Dani Pearce Goes to Sundance and Flickerfest
SHOTS
July 2019
Dani Pearce on her YDA-winning short and the 'wild process' of directing
ONE POINT FOUR
July 2019
CONTACT
HLA MANAGEMENT
Theatrical Agent/Manager
Sophie Fosdick-McGrath
REVOLVER
Commercial / Australia
Michael Ritchie
Executive Producer
Pip Smart
Executive Producer
HENRY
Commercial / France
Jean-Luc Bergaron
Executive Producer
DIRECT
@danipearcedani
DIARY